Another Woman’s House – Memoir

 

 To this day, my mother doesn’t know my husband Mike was married twice before. She has asked her share of “none of your business” questions over the years, most of which I answer. But I knew what her opinion would be about my choice to marry a man with two divorces under his belt, so I keep a few details to myself.

She did know that when I moved to Pennsylvania I would live in Mike’s house, built just four years prior to our wedding day. The house that he had built with Kathy. Now, mom might have been a little fuzzy on the details of  wife number one and wife number two, but on one point she was clear: Never move into another woman’s house.

The first time I visited Mike’s house, he picked me up at the airport in Baltimore. We stopped off for burgers at the Round The Clock Diner (his favorite), then continued north past mile after mile of sprawling farms. Just before we turned toward town, a sign advertised free range brown eggs.

As he turned the key in the front door, Mike apologized for the sparse furnishings. That happens after a divorce. Some of Kathy’s pieces were still there: the piano, the blue striped sofas, a nightstand. She had moved some to a smaller place and needed time to figure out what to do with the rest. With a mighty effort to be the good guy, Mike left the piano in place.

It was easy to see that Mike and Kathy planned every detail of the house – the stereo system wired into each room, the placement of upstairs windows for the best farm views (a key to Lancaster County living),  the plans to finish the basement. But I knew from his stories that very soon after moving into this house, things changed. That the excitement of a new house had washed away as storms of sadness drowned his marriage.

I knew the facts pretty well. The dance of separations, the efforts to try again, his pleadings for Kathy to stay.  I peered into the bedroom where she had slept after they argued. The office, where a few craft supplies sat abandoned on the closet shelf. The basement, cluttered with remnants of her past hobbies: plastic crates of Beanie Babies, yarn for granny squares, crushed silk flowers.

That evening, we sat in the back yard and watched the sun set over the tasseled stalks of Pennsylvania corn. Mike told me about the landscape plans and how fast the evergreens had filled in across the property line. I picked a leaf off a shrubby overgrown plant near the patio and recognized the fragrance of mint.

Kathy had planted the mint soon after the house was finished, causing a bitter argument.  It was way too close to the patio and disrupted the neat stone border. Like everything else she planted, there was no room for growth. After just a few years, it had taken over; mint will do that if you’re not careful.

In June of the next year, I married Mike and moved into that house on the first day of summer. While he was at work one day, I found a shovel and gloves in the garage, and headed out back. I attacked the mint first, trimming it back, digging around the roots, and yanking handfuls of woody stalks free. I turned over the dark soil underneath, and stepped back, sucking in air as if I had been given space to breathe, take root.  This was where my hosta garden would go. I took off the gloves and headed inside.

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“A woman with a pen is a dangerous thing.” – Margo LaGattuta

 

Photo: Margo LaGattuta 1942 – 2011

I have been blessed with wonderful writing teachers. You’re sure to hear of each of them, in time, but this first blog post is to honor one of them, Margo Lagattuta. Margo died a couple of weeks ago, in northern Michigan. Fifteen years ago when I took her summer poetry classes, she left her mark. Margo was a bold teacher, who dressed in “artsy” clothes that I would never dare to wear. She invited us out on a limb as we “fooled with words” and dared to read aloud in class.

Poetry, according to Margo, was intended to be read aloud, and slowly, preferably twice.

Over the years, Margo wrote a column for the local newspaper in my hometown. Every so often, my mom would cut out one of her pieces and mail them to me. I continued to enjoy her words as she lamented the decline of cursive writing and celebrated the joy of frogs.

She often taught of the freedom to be found in form and structure when writing poetry. We worked our way through pantoums, sestinas, and villanelles – and the truth is, I really struggled with these last two. The rhyme schemes, meter, and repetitions escaped me until the last couple of months, when I actually was able to come up with a proper vilanelle.

And so I share it here, with belated thanks to Margo.

Freedom in strucure, freedom in form. An important lesson, indeed.

 

Thrive 

Now is my time to be alive!
Lift my eyes, enjoy the view,
Not just to exist – but truly to thrive!

My spirit and my strength reborn, revived,
I do what I need and want to do.
Now is my time to be alive!

To live is more than to simply survive.
Explore this existence and all that is new,
Not just to exist, but truly to thrive!

Victory mine, no longer deprived!
Embrace the blessing of each day anew.
Now is my time to be alive!

Breathe deep with gratitude, focus and drive
And clear vision of where I am headed to,
Not just to exist, but truly to thrive!

Success as every day arrives,
Learn who I am – go deep and speak true.

Now is my time to be alive,

Not just to exist, but truly to thrive

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